Thursday, September 26, 2013
Elfman/Burton Concert in L.A. Adds Third Performance
Good news for those of you in Los Angeles! The L.A. Times reports that, due to extremely popular demand, there will be not one, not two, but three performances of the concert celebrating over a quarter-century of music by Danny Elfman from the films of Tim Burton. Mr. Elfman himself will be present to perform songs from The Nightmare Before Christmas live at the Nokia Theater. Listed below are the performances, with links to purchase tickets in bold:
Tuesday, October 29th, 8:15 PM
Wednesday, October 30th, 8:30 PM
Thursday, October 31st, 8:15 PM
Monday, September 09, 2013
Elfman/Burton Concert Coming to L.A.
From the original article by the Los Angeles Times:
It's been one of the most fruitful composer-director collaborations in modern Hollywood.
Danny Elfman has scored 15 movies by Tim Burton, starting with "Pee-Wee's Big Adventure" in 1985 and leading up to last year's "Dark Shadows" and "Frankenweenie." For the first time in the U.S., Elfman is to present his scores for Burton's films in an orchestral concert performance, scheduled appropriately enough for Halloween night at the Nokia Theatre in downtown Los Angeles.
"Danny Elfman's Music from the Films of Tim Burton" will feature conductor John Mauceri leading the 87-piece Hollywood Symphony Orchestra and the 45-member Page L.A. Choir. Elfman himself will appear at the concert to perform songs from "The Nightmare Before Christmas."
The concert will debut Oct. 7 at London's Royal Albert Hall with the BBC Concert Orchestra, part of a British tour, prior to coming to L.A.
Organizers said the concert will feature music from all 15 of Elfman's collaborations with Burton. (The only Burton movies that the composer didn't work on were "Ed Wood" and "Sweeney Todd.") The concert will also include film clips from Burton's movies and some of his art work.
A U.S. tour of the concert is in the works, but no dates or cities have been announced yet.
Elfman was the composer for the Cirque du Soleil show "Iris," which closed at the Dolby Theatre in Hollywood in January. He was part of the influential rock group Oingo Boingo, which held a farewell concert in 1995 at the Universal Amphitheatre.
The composer previously worked with Mauceri on "Serenada Schizophrana," a 2004 classical piece that was recorded and released two years later. They also collaborated on "The Overeager Overture," which was performed at the Hollywood Bowl in 2006.
Mauceri was the music director of the Hollywood Bowl Orchestra for 15 years beginning with its inception in 1991.
"Danny Elfman's Music from the Films of Tim Burton" is scheduled for 8:15 p.m. on Oct. 31 at the Nokia Theatre at L.A. Live. Tickets go on sale Sept. 13 at 10 a.m. through AXS.com, and by phone at (888) 929-7849.
PHOTO: Danny Elfman in Los Angeles in 2011. (Mel Melcon / Los Angeles Times)
Saturday, September 29, 2012
Photos: "Frankenweenie" L.A. Premiere
Tim Burton
Robert Capron, Tim Burton and Charlie Tahan
Charlie Tahan, Winona Ryder and Robert Capron
Atticus Shafer and Robert Capron
Charlie Tahan, Winona Ryder and Robert Capron
Martin Landau, Catherine O'Hara, Winona Ryder, Charlie Tahan, Martin Short
Tim Burton and Martin Landau
Tim Burton and Winona Ryder
Don Hahn
Don Hahn, Robert Capron, Martin Landau, Catherine O'Hara, Winona Ryder, Atticus Shaffer, Charlie Tahan, Martin Short, Allison Abbate, John August
Winona Ryder
Martin Landau, Catherine O'Hara, Winona Ryder
Charlie Tahan and Robert Capron
Tim Burton
Winona Ryder
Atticus Shaffer
Allison Abbate
Elvira and Tim Burton
Martin Landau
John August
Martin Short
Tuesday, May 08, 2012
Videos: Coverage of "Dark Shadows" World Premiere
Dark Shadows had its world premiere in Hollywood on Monday evening. The Los Angeles Times has some coverage of the event, including interviews and comments from the cast and crew.
Tim Burton and Johnny Depp appeared on the black carpet. Cast members remarked on just how in sync the duo were on set.
"You can kind of tell that they seem to have a shorthand," Depp's costar Jackie Earle Haley said. "It's fun watching them clown around late at night when they kind of get tired and a little bit giddy. They start cracking up and telling stupid little jokes, and pretty soon the entire crew is doing it."
So what does one of the most famous men in the business find funny? Fart jokes, apparently.
"[Johnny and Tim] are like best schoolyard chums in a way. They bring out this very excitable, boyish quality in each other," explained Seth Grahame-Smith, who wrote the screenplay for the film, based on the 1960s soap opera of the same name. "They become 10-year-old boys and laugh and make fart jokes."
Famed rock musician Alice Cooper was also on the black carpet. Cooper has a cameo in the film, playing himself in 1972.
"They decided that they were going to do a computerized thing where they make me [look like I'm from] 1972," the musician said. "And I said, 'Well, don't make me look younger. In '72, I was a mess. I looked 20 years older in '72 than I do now.'"
Friday, March 02, 2012
Videos: Burton on Art at La Cinémathèque Française
In the first video, Burton discusses the surreal and exposing experience of revealing decades of artwork, returning to his roots, and why he loves to create things:
Entretien exclusif avec Tim Burton by lacinematheque
In the second video, the filmmaker talks about making his very first movies on Super 8, and his love of the medium of stop-motion animation, which he has most recently experimented with in Frankenweenie:
Tim Burton parle de ses premiers films 8mm by lacinematheque
The Tim Burton exhibition makes its final appearance at La Cinémathèque française, and will be there from March 7th until August 5th, 2012.
Friday, September 23, 2011
Photo: Two New "Frankenweenie" Characters Revealed

(Click on the image to see it in full size.)
Flickr user Steven Kuhn has uploaded an image from the Tim Burton exhibition at LACMA in Los Angeles. The photo shows two stop-motion puppets of two new characters in Frankenweenie, "Edgar" and "Weird Girl." Like the rest of the animated cast, both characters have been directly designed by Tim Burton. Catherine O'Hara (Beetlejuice, The Nightmare Before Christmas) will provide the voices for both characters.
Wednesday, June 01, 2011
Tim Burton Comes to LACMA
Tickets are on sale at LACMA's official website.
You can also view a couple of videos of Tim Burton's high school art teacher, Doris Adams, who he spoke fondly of and encouraged him to make his artwork and visions.
In conjunction with the visiting exhibition, the filmmaker also selected 50 pieces from LACMA's permanent collection. The artworks will be on display in LACMA's Ahmanson Building, Level 2, until November 13, 2011, in an exhibit called, "Burton Selects: From LACMA's Collection." Here are a few of the pieces Burton chose:

Odilon Redon, À Edgar Poe (L'oeil, comme un ballon bizarre se dirige vers l'infini), 1882, lithograph, Wallis Foundation Fund in memory of Hal B. Wallis (AC1997.14.1.1)

Otto Dix, Illusion Art, 1922, The Robert Gore Rifkind Center for German Expressionist Studies, © Otto Dix Estate / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn.

Hokkyo Sessai, Skeleton, mid- to late 19th century Netsuke, Stag antler with staining; sashi type, Raymond and Frances Bushell Collection (M.87.263.11)

Hugo Steiner-Prag, The way to horror, 1915-1916 Print, Lithograph on handmade paper, Image: 7 1/8 x 4 13/16 in. The Robert Gore Rifkind Center for German Expressionist Studies (M.82.287.68L)
Friday, April 01, 2011
Art Show Celebrates 20 Years of "Edward Scissorhands"

On April 16th, 2011, Gallery Nucleus in Los Angeles will host a 20th anniversary tribute to Tim Burton's Edward Scissorhands. The art exhibition will "highlight the works of over 40 artists, including paintings, drawings, prints, sculptures, etc."
You can see a wide range of examples of just some of the artwork that will be on display at /Film, but here are a few notable pieces:

"The True Story" by acclaimed animator Uli Meyer

Robert Ricci's "Scissorheart"

Lorena Alvarez's "The Blossom Clearing"

Andrea Kalfa's "Ambrosia Salad"
Here is the official press release from the Gallery Nucleus:
Edward Scissorhands 20th Anniversary Tribute
April 16, 2011 - May 9, 2011
Opening Reception / Apr 16, 7:00PM - 11:00PM
In collaboration with Sebastien Mesnard, Gallery Nucleus will be showcasing a selection of original works from the Scissorhands 20th blog. The exhibit will highlight the works of over 40 artists, including paintings, drawings, prints, sculptures, etc. and unite enthusiasts and fans in celebrating the 20th anniversary of Tim Burton's classic love story and its unforgettable characters; Edward, Kim, Peg and a band of colorful suburbanites.
Opening Reception highlights include:
* Free refreshments and ambrosia served.
* 5 Free raffle tickets for those dressed in their best Scissorhands-inspired attire. (Tickets can be purchased for $2.00 each.)
* Raffle prizes includes original artwork, Anniversary Edition Edward Scissorhands DVD, Avon gifts, and Nucleus gift certificates.
* Gifts and samples provided by "Avon Lady" (Johanna Figueroa).
* This is an all ages event.
* Admission is free.
* All raffle tickets are also valid for Adventure Time merchandise. Raffle drawing at 10:30PM.
Artists Featured:
Alina Chau
Amelie Fléchais
Andrea Kalfas
Aurian Redson
Aya Miyazaki
Becky Dreistadt
Benjamin Lacombe
Bill Robinson
Bob Doucette
Brigette Barrager
Brittney Lee
Celine Loup
Chuck Groenink
Cory Godbey
Daniela Volpari
Dan Thompson
Dave Perillo
Denny Khurniawan
Drake Brodahl
Drazen Kojan
Emmanuelle Walker
Eren Blanquet
Graham Annable
Israel Sanchez
Jason Caffoe
Jérémie Fleury
Jerrod Maruyama
John Kenn Mortensen
Josh Parpan
Joyce Colson
Justin Parpan
Ken Garduno
Ken Turner
Laura Iorio
Lilidoll
Lorelay Bové
Lorena Alvarez
Luisa Uribe
Marietta Ren
Martin Hsu
Mindy Lee
Nicolas Duffaut
Nicolas Léger
Pascal Campion
Petracchi Alexandra
Robert Kondo
Roberto Ricci
Seo Kim
Uli Meyer
Vincent Ehrhart-Devay
Xander (Alex) Leighton
Xavier Collette
..and more!
For more information and artwork, visit Scissorhands20th.blogspot.com and GalleryNucleus.com.
Thursday, November 11, 2010
Interview: Tim Burton's Art Retrospective Coming to Toronto

The massive Tim Burton art retrospective, which began its highly successful tour at the Museum of Modern Art in New York City last year, will make its third stop at Toronto's TIFF Bell Lightbox. The exhibition will open at the TIFF Bell Lightbox on November 26th, and will remain until April 17th, 2011, when it leaves for Los Angeles.
Us Magazine had an interview with Noah Cowan, the artistic director at the TIFF Bell Lightbox:
Q: First of all, tell Us about this marathon of movies called the “Burton Blitz.” It’s 36 hours, right? Sounds intense.
It starts with “Pee-wee’s Big Adventure” at 6 PM on Friday November 26 and ends around 10 AM on Sunday November 28 with “Alice in Wonderland.” Not even a 10-minute break. I think the end credits is when you pee. Back to back to back. The concessions will be armed with lots of coffee and snacks to keep people going. We have people looking forward to it!
How many people do you expect at the Tim Burton show?
Our projections show about 100,000. But it got 275,000 visitors in Australia. And 700,000 in New York. We’re arming the barricades. Tourists from all over the world come to see it whereever it plays. I’m looking forward to the first day we let the public in. So they see how unique it is.
Why this director?
He speaks to our interest in how films and the visual arts interact. Through his sketches, you really understand him as an artist -- even better than you do watching the films. He’s a great example of a filmmaker whose background in visual arts has allowed him to expand what’s possible in the medium.
How will the show be different than the one that ran in NYC?
We are reorganizing it. MOMA followed the parameters of a drawing and painting show. It showed the development of his craft as a visual artist. But the TIFF Bell Lightbox is a film-based institution, so the principal arc of the show will follow his film career. We have a large side annex that allows you to go deeper into his creative genius. You enter the doors and go to the source of the genius. We’re calling that area “Burbank” because that’s where he was born. You see his creative genius flowing as he grew up in the suburbs of LA. His upbringing was really central to the originality of his art.
We see you’re doing some really fun double bills.
We’re pairing his movies with unexpected influences. Alice in Wonderland is paired with John Waters’ Desperate Living. Another is the 1963 Jason and the Argonauts and Burton’s James and the Giant Peach. It’s been really fun putting it together. Some are more obvious, too – like Nosferatu and The Nightmare Before Christmas.
You’ll have lots of activities and workshops for kids too, right?
Every Saturday while it runs, kids can participate in activities like creating their own Burton-inspired creatures, or dabbling in stop-motion animation. Kids will be able to watch a clip of The Nightmare Before Christmas and create their own Jack -- and their own story. The various floors will all have presentations and exhibitions and areas for kids. We want families to be able to engage in all those activities, see a film retrospective and engage in hands-on youth activities. We suspect this will be really popular around Christmas.
Finally, we hear Tim Burton’s creating something original for your window?
He’s creating a special Christmas monster for us. It’s loosely based on a character from an abandoned project. All we know is it’s going to be a creature and he’ll be devouring Christmas. We’re working with the Tim Burton studio now to see if he’ll keep munching through various holidays.
Wednesday, October 06, 2010
'The Nightmare Before Christmas'... in 4D?!

If you're in Los Angeles, prepare to see Tim Burton's The Nightmare Before Christmas as you've never seen it before... in 4D!
Broadway World reports that for a special engagement from October 21st until October 31st, the El Capitan Theatre will show the animated cult classic in Disney Digital 3D with additional "sensory effects" to complete the 4D experience, said Lylle Breier, senior vice president of worldwide special events for Walt Disney Studios Motion Pictures.
Breier said, "As always, the El Capitan is your ‘Nightmare' headquarters, and this year, our guests will be introduced to the magic of 4-D. The film will be presented in Disney Digital 3-D, and there will be exciting sensory effects for our guests to experience at the same time - including wind, snow, fog, and much more. It's a way of seeing The Nightmare Before Christmas like never before for our loyal customers who have made a tradition out of seeing this Disney classic here every year."
The engagement kicks off on Thursday October 21 at 7:00 pm with opening night festivities hosted by Disney producer Don Hahn. There will be ghoulish treats in store for those who attend that evening.
The film screens daily at 10:00 am, 12:15 pm, 2:30 pm, 4:45 pm, 7:00 pm, and 9:15 pm. Special late night Halloween weekend shows will be given at 11:15 pm Fridays and Saturdays only.
Tickets can be purchased at the El Capitan's official website.
Disney's Soda Fountain and Studio Store, located adjacent to the El Capitan Theatre, joins in the Halloween spirit by offering a special "Pumpkin King Dinner" on select days, which includes dinner, ghoulish cupcake decorating, a commemorative photo and a special gift. Seating is limited and reservations are required.
Breier continued, saying, "We're delighted to be bringing Nightmare Before Christmas back to the El Capitan Theatre in a new and exciting way using both glorious Disney Digital 3-D and our special brand of 4-D for the first time ever. Our guests will get closer than ever to Halloweentown's beloved Pumpkin King, Jack Skellington, as he attempts to take over the Christmas holiday. Each year brings new screams of delight from our audiences, and they love being able to see their favorite Tim Burton characters in a whole new way. The film grows more popular every year with moviegoers and we're very excited to continue our Halloween tradition."
Sunday, June 27, 2010
Burton Retrospective at LACMA in May 2011

The massive Tim Burton art retrospective will be coming to the Los Angeles County Museum of Art, reports the Los Angeles Times.
The huge exhibition began in late 2009 at MoMA, and is currently in Melbourne. It will then move on to Toronto's Bell Light Box before coming to LACMA. The exhibition will be at LACMA from May 29th until October 31st, 2011.
Friday, March 26, 2010
"Waking Sleeping Beauty" Opens Today

The new documentary Waking Sleeping Beauty is now in select cinemas in Chicago, Los Angeles, New York City, and San Francisco. The film examines the "renaissance" of Disney feature animation in the 1980s and 1990s, and features numerous people who have affected the world of animation today, including a young Tim Burton.
Here is the trailer:
Cartoon Brew had these details for people in New York City and Los Angeles:
Don Hahn will make Q&A appearances in L.A. after the following showings this weekend:
Friday, March 26 — Q&A following the 7:45pm showing at AMC Century City
Saturday, Marcy 27 — Q&A following 1210p-150p show at the AMC Burbank 16, 125 East Palm Ave
Saturday, March 27 — Q&A following 7:55-9:35p show at the AMC Burbank 16, 125 East Palm Ave
[Producer] Peter Schneider will make Q&A appearances this weekend in NYC after the following showings at Landmark’s Sunshine Cinemas on Houston Street:
Friday, March 26 — Q&A following the 5pm and 7:15pm showings.
Saturday, Marcy 27 — Q&A following the 12 noon, 2:30pm, 5pm and 7:15pm showings.
Saturday, March 27 — Q&A following the 12 noon, 2:30pm and 5pm showings.
Here's an exclusive clip from Cartoon Brew's YouTube channel:
Wednesday, March 10, 2010
Matt Lucas on "Wonderland," Depp and Burton

Matt Lucas may now be best known to people outside of the UK as Tweedledee and Tweedledum in Alice in Wonderland (this is his first American film). But for playing such rotund "fat boys" (as the Red Queen describes them), Lucas looks different, says the Los Angeles Times.
“I’ve lost 50 pounds since I made the movie,” said Lucas as he declined a free bucket of buttery popcorn at the world premiere. “No popcorn for me.”
Lucas admits that he isn't exactly Hollywood's vision of pretty, but that doesn't stop him.
“I adore watching people like Seth Rogen and Jonah Hill but I wouldn’t necessarily cast myself in those roles,” Lucas said. “They are people that audiences can easily identify with. I don’t play so easily the regular guy. I might be more like a Wallace Shawn who always plays the quirky guy, the eccentric characters.”
For Tweedles, Lucas went for “corpulent boys, both childish and child-like, juvenile in the extreme.” To help Lucas pull off twin duty, actor Ethan Cohn was brought in as a double to stand in as the “other brother” while Lucas was doing his lines. Cohn became fast friends with Lucas and says it’s been hard to watch him suffer in the wake of McGee’s death.
“God knows how someone deals with what he went through, but he’s gone about it in a very smart and logical way,” Cohn said. “He’s grieving and he’s going through the emotions that people go through, but he is always moving forward.”
Lucas said he likes Los Angeles – “Some people think it’s a cynical place but I admire its ambitions” – and he was dazzled by working on a film with such a strong cast and director.“You get warmth in spades from Johnny and Tim [Burton]. You get briefly included in their warm friendship. In Johnny’s trailer, and this betrays a confidence perhaps but I hope he will forgive me, on the refrigerator there's a drawing of the Mad Hatter by Johnny’s kids. And it said, ‘Good Luck Dad.’ I found that so wonderful.”

Making Wonderland was a complicated process. But even with a picture with a budget of over $200 million and stuck in a sea of green screen, Lucas admired Tim Burton's professionalism, and the trust he invested in his cast and crew, many of which he has collaborated with before.
“He employs people he likes then he really trusts them to build the character and the performance,” Lucas said. “I was surprised that the first take is always the actors’ take. With all the money invested into the project and how little time people have to make the movie. He let actors have the first take and then work with them to craft – keep that, turn that bit down, try for this. He gave a lot of guidance and I was grateful for that, but it came with trust.”
Lucas was less enamored with the green-screen set. “It can be grueling to be in a large green room where everything is just…green; Consistently, constantly, undeniable, unashamedly green; and not even different shades of green at that. It’s a snot room. The booger world.”
Some of the actors found the green screen nauseating and difficult, but Lucas worked through it by imagining the world that would appear on the screens when the project was completed.
“It was very notional,” Lucas said. “You have to imagine there are trees and castles and the ground. And instead of the Bandersnatch there’s a man holding a stick with a cross on the end of it made out of masking tape, which you have to imagine is the most terrifying thing you’ve ever seen. And I don’t have stick phobia. Masking tape, however, makes me cringe. And weep. You have to use your imagination quite a lot but that happens in television, too. You need to pretend there isn’t an old man in the corner chewing his gum and checking his watch and waiting for you to finish the take and give a very emotional performance.”
Lucas said he hopes to work with Burton again, especially since the filmmaker works in worlds where eccentric characters are at every turn. He also said he hopes to absorb some of Burton’s sense of wonder.
“He brings with him the enthusiasm of someone making their first film,” Lucas said. “You have the expertise of someone who has been doing it a long, long time but there is still something boyish in his excitement. I think the same can be said of Johnny Depp. It was just ambition on display and enthusiasm and excitement and craft. They seemed pleased to be there. I know I was.”
Click here for the entire Matt Lucas article from the Los Angeles Times. Lucas goes on to describe his career and ambitions beyond Wonderland and more.
Friday, February 26, 2010
Zanuck on "Wonderland," "Dark Shadows"
MC: How did you get involved with this project?
RZ: I’ve produced the last five Tim Burton movies and so I’m part of that team. When Disney approached Tim about doing this, that was about three years ago, I came on board. I’m a very hands-on producer…I’m there every day and I’ve been on this from the very beginning.
Did you know Alice in Wonderland well before you took on the film?
I can’t pinpoint when I first read the books or may have even been read to me as a young person or maybe as a student. I can’t remember exactly when, but when we decided to make the movie I went back and read them and I was amazed that most of the characters were very familiar to me. It was like they’d been implanted in my subconscious because I felt I knew all these characters and know the setting and all of that…it all came back to life. And that’s an example of why this book has endured throughout one hundred and thirty-five years because we’re all familiar with it. It’s permeated culture.
The production wasn’t a typical Hollywood endeavour – it was all green-screen. Had you experienced anything like that before?
No, nor had Tim. We started the picture with live action down in Plymouth. We shot ten days there for the beginning and end of the picture…you know, before she goes down the rabbit hole and after she comes out. We went back to Los Angeles, at Culver Studios, to do all of the green-screen. It was only forty days of shooting, actually, but almost two years of computer generated animation work, there’s some mo-cap work. It was very tricky technically. I think it’s the first time that all three elements: computer generated, mo-cap and live actors all worked into the same scenes. Also Alice’s size goes from six inches to seven feet tall and her regular size and so the actors playing with her had to be adjusted. Matt Lucas had to work on stilts! It was very tricky, especially when they weren’t together. The eye lines had to match up. We had all kinds of charts where everybody’s size was measured very carefully.
Did you ever think while making it, “Is this going to work?”
I always felt it would work because Tim’s a genius and nobody has that imagination. He hadn’t done anything this complicated before we had Ken Ralston who has won four Academy Awards and nominated a dozen times. He actually started and helped invent a lot of the process. I think his best work is with Alice. He was supervising even the green-screen stuff. Between he and Tim, he would imagine it, but it was Ken and about four hundred people behind him on computers putting what Tim imagined – frame by frame – onto the film. It was very labour intensive and tricky to co-ordinate all that. Tim had a good team behind him…he’s an artist…a real artist.
Tell me how you cast Mia Wasikowska as Alice?
Alice was a part that everybody wanted to play, regardless of their age. We had stars who were totally wrong…everybody thought they should play Alice. So we had a whole slue of volunteers. Tim and myself, from the very beginning, wanted to go with a fresh face. We didn’t want a Hollywood starlet or somebody that would we’d seen before. We went on a massive campaign with the casting people in Australia, casting was done in this country and in the United States. Throughout the world really…and kept narrowing and narrowing it down and finally brought twenty people to the UK. We tested them and got that down to eight. Mia was one of them. She came over three times in total. We did a full scale, studio screen test with our crew and the wardrobe people…make-up…a complete test and Mia came out on top.
Have you any more plans to work with Burton since you’re on a roll?
Yes, I’m going to be doing Dark Shadows with Johnny (Depp) and Tim later towards the end of the year. He’s got to do another Pirates movie. But we’re shooting over here (London) even though the movie is set in Portland, Maine. We’ve got the stages at Pinewood lined up.
Obviously you’re a legendary film producer…
That sounds like age…(laughs)
You’ve made classic after classic, do you find films easier to make now than back then?
It depends on what kind of film you’re talking about. My wife and I made Driving Miss Daisy and that was a very difficult movie to get financed. An old Jewish lady and a black chauffeur…nobody was interested in that subject. We spent more time on bended knee…over a year of begging people. If you have a picture like Alice in Wonderland which is a famous title, add Tim Burton, Johnny Depp, 3D, Disney – which is a big selling point…it’s a slam dunk! You don’t have to beg people to do that kind of film. It all depends on what story you’re doing to tell. The bigger, wide canvas ones are easier than the small ones. But they’re much, much more expensive to make…but that’s how it is.
Out of all your films, do you have a personal favourite?
I probably do…but you’d have to kill me to get it out of me (laughs). I hate to use the phrase, “they’re all my children” because it’s so over-used, but it’s true. Each one is an experience and a very unique experience and different. The box office can be different too…so maybe my favourite one is considered a failure. I made Steven Spielberg’s first two pictures – Sugarland Express and Jaws. I must say Sugerland Express and that whole experience of working with Steven on his first film is one I’d have to rank very highly in terms of gratification.
Richard Zanuck, thank you.
Thank you.
Sunday, February 21, 2010
"Waking Sleeping Beauty" Trailer

The trailer for the upcoming documentary Waking Sleeping Beauty has made its debut. The film chronicles the story of the renaissance of Disney feature animation in the 1980s and 1990s. Directed by Don Hahn (who is working on Tim Burton's upcoming animated Frankenweenie as an executive producer, and produced the 3D re-release of The Nightmare Before Christmas), the documentary includes such animation titans as John Lasseter, Jeffrey Katzenberg, Don Bluth, Michael Eisner, Roy Disney, Glen Keane, John Musker, Howard Ashman, and many more, including Tim Burton himself.
Waking Sleeping Beauty will be released in select theaters in New York, Los Angeles, Chicago and San Francisco on March 26th, 2010.
See the trailer on YouTube or Apple Trailers:
Saturday, February 20, 2010
Photos from "Alice in Wonderland" Fan Event

Anne Hathaway.

Helena Bonham Carter and Anne Hathaway.

Never Shout Never.

Singer Kerli.

Johnny Depp and Matt Lucas.


Trace Cyrus, of the band Metro Station.

Sean Foreman, of the group 3OH!3.

Anne Hathaway and Tim Burton.

Mason Musso, of the band Metro Station.



Mia Wasikowska.
All photos: AP Photo/Matt Sayles.























