Showing posts with label New York. Show all posts
Showing posts with label New York. Show all posts

Saturday, January 19, 2013

"Big Fish" Musical on Broadway Oct. 6


The Wrap reports that the musical version of Big Fish will be coming to Broadway on October 6th, where it will play at the Neil Simon Theatre. The production is based on the original novel by Daniel Wallace and the Tim Burton film. Susan Stroman directed the show, with the book written by frequent Tim Burton collaborator John August (screenwriter of Big Fish, Charlie and the Chocolate Factory, and Frankenweenie, etc.).

The musical will have its world premiere with a five-week engagement beginning April 19 at Chicago's Oriental Theatre. Previews there start April 2.

The cast includes Tony Award-winning actor Norbert Leo Butz ("Catch Me If You Can") as Ed Bloom, the character played by Albert Finney and Ewan McGregor in the movie, and Kate Baldwin ("Finian's Rainbow") as Sandra Bloom, played in the movie by Alison Lohman. Bobby Steggert will take Billy Crudup's role of Will Bloom, and Zachary Unger will play Young Will.

The musical is produced by Dan Jinks, Bruce Cohen and Stage Entertainment with Roy Furman, the Nederlander Organization, John Domo and Broadway Across America.

Friday, March 02, 2012

Videos: Burton on Art at La Cinémathèque Française

La Cinémathèque française has posted two new videos of Tim Burton discussing his artwork.

In the first video, Burton discusses the surreal and exposing experience of revealing decades of artwork, returning to his roots, and why he loves to create things:


Entretien exclusif avec Tim Burton by lacinematheque


In the second video, the filmmaker talks about making his very first movies on Super 8, and his love of the medium of stop-motion animation, which he has most recently experimented with in Frankenweenie:


Tim Burton parle de ses premiers films 8mm by lacinematheque

The Tim Burton exhibition makes its final appearance at La Cinémathèque française, and will be there from March 7th until August 5th, 2012.

Friday, November 25, 2011

Burton's Thanksgiving Balloon Takes Flight



Tim Burton's "B.Boy" balloon made its world debut at the Macy's Thanksgiving Parade yesterday. Here's a video showing the crew at work:



Photo courtesy of Shavon Leanne McKinstry.

Saturday, October 22, 2011

Thanksgiving Parade to Feature Burton Balloon


Next month, on November 24th, Macy's Thanksgiving Parade in New York City will feature a specially commissioned balloon designed by Tim Burton, writes Dave Itzkoff of The New York Times.

“It’s such a surprise to be asked, and it was great,” Mr. Burton said in a telephone interview from London. “It’s such a surreal thing that you don’t even believe what you’re hearing. Somebody’s trying to play a joke on you or something. It had that kind of feeling.”

Burton even wrote an origin for this character, named B. Boy. B. was created, Frankenstein’s monster-style, from the leftover balloons used in children’s parties at the Great Ormond Street Hospital in London. Forbidden from playing with other children because of his jagged teeth and crazy-quilt stitching, B. retreated to a basement lair, where he obsesses over Albert Lamorisse’s film “The Red Balloon” and dreams that he, too, will be able to fly someday.

“There’s always been something about balloons,” Mr. Burton said, by way of explaining his B. Boy character. “You see them deflated and you see them floating. There’s something quite beautiful and tragic and sad and buoyant and happy, all at the same time.”


Mr. Burton’s sketches of his B. Boy character, as seen from various angles.

“Maybe we’re stepping into the dark side here,” said Amy Kule, the parade’s executive producer, “but Tim’s balloon, although gothic, is really fun in spirit, and nobody should be worried that it’s going to be scary or should be part of a nighttime parade rather than a daytime parade. We’re pretty cognizant about what we put in the air, and this balloon deserves to be up there with all the others.”

Burton didn't think his style was particularly transgressive, either. “I’ve always felt like my stuff was never that weird or subversive, but that’s just me thinking that,” he said. “For me, it’s pretty natural. Maybe for others, it might not be so much.”

But will Burton appear at the parade itself on November 24th?

“I’ll probably be hiding somewhere, in a building,” he said. “That’s why I’m not an actor – I’m more a stay-behind-the-camera kind of a person. My marching-band days are over. I did that way back when, and I was pretty bad at it then, so leave it to the experts.”


You can read a bit more about the making of the balloon at the original article.

Tuesday, April 27, 2010

Burton Retrospective Leaves MoMA, Heads to Melbourne



Yesterday, the massive retrospective "Tim Burton" ended its five-month run at the Museum of Modern Art in New York City.

During the run of the show, which opened on November 22th, 2009, and closed on Monday, 810,500 visitors came to see an enormous range of artifacts, from movie props and conceptual illustrations to paintings and sculptures from the filmmaker's personal archives to rare films that Burton made as a teenager.

Burton's retrospective was the third most successful of its kind in the history of the MoMA. Pablo Picasso, whose 1980 retrospective at MoMA remains the museum's most popular to this day(with 976,800 visitors), and Henri Matisse, whose 1992 retrospective is still the runner-up (with 940,000).

For those of you who missed it in the United States, the Tim Burton exhibition will be at the Australian Center for the Moving Image in Melbourne from June 24th through October 10th, and at the Bell Lightbox in Toronto from November 26th through April 17th, 2011.


Photo Credit: Marilyn K. Yee/The New York Times.

Friday, March 26, 2010

"Waking Sleeping Beauty" Opens Today


The new documentary Waking Sleeping Beauty is now in select cinemas in Chicago, Los Angeles, New York City, and San Francisco. The film examines the "renaissance" of Disney feature animation in the 1980s and 1990s, and features numerous people who have affected the world of animation today, including a young Tim Burton.

Here is the trailer:



Cartoon Brew had these details for people in New York City and Los Angeles:

Don Hahn will make Q&A appearances in L.A. after the following showings this weekend:

Friday, March 26 — Q&A following the 7:45pm showing at AMC Century City

Saturday, Marcy 27 — Q&A following 1210p-150p show at the AMC Burbank 16, 125 East Palm Ave
Saturday, March 27 — Q&A following 7:55-9:35p show at the AMC Burbank 16, 125 East Palm Ave

[Producer] Peter Schneider will make Q&A appearances this weekend in NYC after the following showings at Landmark’s Sunshine Cinemas on Houston Street:

Friday, March 26 — Q&A following the 5pm and 7:15pm showings.
Saturday, Marcy 27 — Q&A following the 12 noon, 2:30pm, 5pm and 7:15pm showings.
Saturday, March 27 — Q&A following the 12 noon, 2:30pm and 5pm showings.


Here's an exclusive clip from Cartoon Brew's YouTube channel:

Sunday, February 21, 2010

"Waking Sleeping Beauty" Trailer


The trailer for the upcoming documentary Waking Sleeping Beauty has made its debut. The film chronicles the story of the renaissance of Disney feature animation in the 1980s and 1990s. Directed by Don Hahn (who is working on Tim Burton's upcoming animated Frankenweenie as an executive producer, and produced the 3D re-release of The Nightmare Before Christmas), the documentary includes such animation titans as John Lasseter, Jeffrey Katzenberg, Don Bluth, Michael Eisner, Roy Disney, Glen Keane, John Musker, Howard Ashman, and many more, including Tim Burton himself.

Waking Sleeping Beauty will be released in select theaters in New York, Los Angeles, Chicago and San Francisco on March 26th, 2010.

See the trailer on YouTube or Apple Trailers:

Wednesday, December 09, 2009

DeVito: Being the Penguin "Fun"

MTV News got a hold of Danny DeVito at the MoMA retrospective of Tim Burton's art in New York. DeVito enthusiastically reminisced about his role as the twisted Penguin in Burton's Batman Returns:



"I loved being with [Burton] on the set. We love hanging out," DeVito told MTV News during the red carpet opening of the exhibit. "I love to watch where he's going, what he's trying, all the different things he does."

"Talking about 'Batman Returns,' he's got me in this armadillo suit and I'm in a place that's so freezing — the stage was so cold — I was the only one comfortable," he laughed. "Everyone's walking around in scarves and hats ... I'm in pounds of latex or whatever the hell it was."

"I had a great time with him," said DeVito.

Monday, November 23, 2009

Tim Burton MoMA Exhibition Opens!


The massive exhibition "Tim Burton" is now open to the public at the Museum of Modern Art in New York City. The enormous retrospective of the filmmaker's artwork and career will run until April 26th, 2010, and includes over 700 pieces.

Thursday, November 19, 2009

Burton's Book Signing at MoMA



On Wednesday, November 18th, Tim Burton stopped by the Museum of Modern Art in New York City and greeted hundreds of fans. For an hour and a half, the filmmaker signed autographs in copies of MoMA's very own Tim Burton book and the newly released The Art of Tim Burton, and chatted briefly with a swarm of enthusiasts. Though a bit overwhelmed by the crowd and chaotic circumstances, Burton seemed genuinely friendly and humbled to see such a large crowd of people who connected with his films and visions so strongly.





All images courtesy of Fuzzy Duck. All rights reserved.

Get Your Copy of "The Art of Tim Burton"!

You can now pre-order your very own copy of the lavish, comprehensive book, The Art of Tim Burton.



For those of you who may be wondering about the differences between the Standard and Deluxe editions of the books, here are the details:

The Standard edition
is $69.99. The Deluxe edition is $299.99, because it includes a hand signed inside cover, a numbered and individually signed lithograph - ready for framing, not folded, and a cloth slipcase. Other than that, the Standard and Deluxe editions are identical: both contain over 1000 illustrations and 430 pages plus foldouts, and commentaries from numerous friends and collaborators of Tim Burton. Each versions usually ship in 2 to 4 weeks.



If you happen to be in New York City, you can pick up your own copy in person at the Museum of Modern Art's book store. Otherwise, you can pre-order your copy from Steeles Publishing if you're in the United States, or from Forbidden Planet if you're in the UK or Europe.

Here are some more preview images from The Art of Tim Burton:



“Alien Fighting Men,” 1981-1983

Pen and ink, colored pencil



“The Red Queen,” 2008

Pen and ink, colored pencil



“Tim With Chinese Security,” 2006

Pen and ink, watercolor

Burton created this illustration while searching for shooting locations in China for Ripley's Believe It or Not. Burton is no longer attached to the project.



“Well Endowed,” 1980-1990

Water color, pencil



“Battle Spread,” 1980-1989

Pen and ink, watercolor


A mere fragment of the expansive fold-out spread featured in the book.

Helena Bonham Carter says: "Tim's 5-year-old son [Billy Ray Burton] and he both love to draw monsters. Sometimes it's difficult to tell who drew what. And I mean that as a compliment to both."

Burton on "Twilight", MoMA; Exhibition Preview

MTV News spoke with Tim Burton at the Museum of Modern Art in New York City.

In this video, Burton discusses how this massive retrospective was such a "surreal" event for him:



"It's so surreal that it's a bit of an out-of-body experience," he told MTV News at the MoMA. "So you don't actually feel like it's you; it's somebody else. But like I said, it's a cool honor. I got to see friends that I hadn't seen in many years. It's a real nice thing."

For the filmmaker, this artwork was meant to be more of a personal catharsis rather than made for public viewing. "I've been there [with therapists]. Done that," he joked. "Making movies is an expensive form of therapy, but it's better than therapy. I've had a couple of psychiatrists who were up there in that range."

Burton says he is not very good at drawing, but he likes the honest imperfections of his work. The flaws, the good things, the bad things — it's all a part of what makes it a piece of work," he explained. "I accept the flaws, as much as I may not like them. ... These things should be kept as they are. I grew up loving terrible movies, so you don't want them to change. You want them to be bad as ever."

The topic of the ever-popular Twilight series has been booming in the news. Jamie Campbell Bower, who will appear in the next installment of the saga, suggested Burton ought to direct the next movie. "He's being biased, because I worked with him on 'Sweeney Todd,' " Burton laughed. "But that's nice to hear. In case potential jobs run out, it'd be nice to know someone."


The grand retrospective "Tim Burton" will be open to the public on Sunday, November 22nd. Members of MoMA can catch a preview of it now. Here are a few samples of the vast array of movie props, paintings, personal photographs, sketches, and artifacts featured in the exhibition (all images courtesy of MTV News):


The gaping maw leading to the beginning of the gallery.


A personal letter from Tim to Johnny Depp.


A conceptual painting of Brainiac for the unrealized film Superman Lives.


Another illustration of Brainiac for Superman Lives.


A painting of the Joker from Batman, the quintessential insane menace.


The disembodied heads of Pierce Brosnan and Sarah Jessica Parker from Mars Attacks!


Artwork from the making of Mars Attacks!, partially inspired by classic B-grade science fiction movies and pulp comics, but very much of Burton's original imagination.


Burton's fear of clowns on a massive scale, in the form of an alien invasion.

A video from YouTube user FGuts123, featuring more previews of the exhibition and some words from Burton himself at the podium during the MoMA press preview:

MoMA's Tribute to Tim Burton

On Tuesday, November 17th, the Museum of Modern Art in New York celebrated the art and films of Tim Burton while raising money for the museum's immense and ever-growing film collection. The night was a big success. Tim Burton, Helena Bonham Carter, Johnny Depp, and Danny Elfman, and Danny DeVito showed up, among other artists and celebrities at the gala benefit (YouTube video from deeplover):




Another video from YouTube user CarlosGranell, this one with Burton, Depp, Bonham Carter, DeVito, and others speaking directly to the camera, and showing some intriguing samples from the exhibition within:





Depp, Bonham Carter, Burton, and DeVito
(AP Photo/Evan Agostini)


REUTERS/Lucas Jackson (UNITED STATES ENTERTAINMENT)


REUTERS/Lucas Jackson


Depp with musician/artist Patti Smith (who has some of her own artwork at MoMA, as well).

REUTERS/Lucas Jackson (UNITED STATES ENTERTAINMENT)

Tuesday, November 17, 2009

MoMA's Tim Burton Video Interview

In this video interview, Tim Burton shows us plenty of his previously unseen artwork (although he never considered it artwork before), and discusses his opening art exhibition at the Museum of Modern Art, why sketches matter for his filmmaking, a movie he would bring to a desert island, why he wears striped socks, and much more:




All images courtesy of Tim Burton and © 2009 Tim Burton
Films stills courtesy of Photofest and the MoMA Film Stills Archive

Filmed by The People's DP Inc
Ed Roy, Carlos Germosen, Keenya Scott, Paul Reed
Edited by David Shuff
Music by Danny Elfman

© 2009 The Museum of Modern Art, New York

Saturday, November 14, 2009

Burton's Balloon Boy

Tim Burton's "Balloon Boy" at the Museum of Modern Art in New York City:

(Marilynn K. Yee/The New York Times)

This 21-foot-tall object is one of seven pieces especially made by Burton for the exhibition.

There is also a deer-shaped topiary in front of the entrance of the Titus theaters, inspired by the film Edward Scissorhands.

"For me the fun is making stuff," Mr. Burton said in a telephone interview from Los Angeles, "the joy of seeing where your thoughts take you.” Burton said that the space that now holds the "Balloon Boy" was particularly inspiring when he made it in July. "I always have ideas but often no place to execute them," he explained.

"It's a different kind of immersion into Tim's world," said Rajendra Roy, chief curator of film at MoMA.

The New York Times gave more information:

Some of the new works have explicit references to his films... A diorama created for the show was inspired by his short film The World of Stainboy.

The entrance to the exhibition also bears Mr. Burton's unmistakable hand. Visitors will walk into a giant monster’s mouth, its sharp teeth visible overhead and its tongue a long red carpet leading to the main galleries. It was inspired by an unrealized film project, Trick or Treat, from 1980. Next comes a striped wall with motifs reminiscent of both Beetlejuice, Mr. Burton's 1988 tale of newly dead ghosts, and his 2005 adaptation of the Roald Dahl novel Charlie and the Chocolate Factory. Inside the show is a multimedia carousel hanging from the ceiling and revolving under black lights.

"I'm a fidgety person, so I doodle a lot," Mr. Burton said. "I don’t like to consider myself as an artist. It's too grand. I just like to make things."

Of everything in the show it is perhaps "Balloon Boy" that will make a lasting impression. But what if some child decides to prick it?

"I've got a whole Band-Aid kit ready to go," Mr. Burton replied instantly.

Monday, November 09, 2009

Burton Explains His Art

Andy Warhol, Damien Hirst, Jeff Koons... Tim Burton? Perhaps the well-established film director will become another name associated with the world of pop art. Ron Magliozzi, curator of the MoMA exhibition, seems to think so: "It may be that Tim will rival Warhol when it comes to output and international reputation in the various forms of artistic expression," Magliozzi said, according to The Independent. "Instead of using films to interpret the art, let's use the art to interpret the films. The art is the most important thing. The films are secondary."

But art critic Brian Sewell is dismissive of the notion. "I think curators are ill advised and usually wrong," he said. "I don't think there can ever be another Warhol. There could never be anybody who excels at that skilled merchandising of multiples. There was a small genius there, but I think Tim Burton – I wouldn't believe it of somebody so insignificant. It's a bit like when Paul McCartney's art was compared to Rothko. I think this will be a flash in the pan."

Whatever your thoughts on pop art may be, Burton's work has gathered a lot of interest. In anticipation of the upcoming gigantic Tim Burton art exhibition at the Museum of Modern Art in New York, Tim Burton explained some of his artwork. The MoMA exhibition will include over 700 pieces from Burton's personal collection, as well as artifacts from his many films. Burton also made a specially commissioned sculpture for the museum. Here are a couple of samples, with some explanations from the artist/filmmaker himself:



Untitled (Blue Girl with Bouquet) 1992-1999
"I'd just done Batman Returns — after big movies, it's nice to go do something of your own. It was the first time I'd worked with a Polaroid camera, and it was so theatrical. So this person in my office, Leticia Rogers, and the costume designer Colleen Atwood, and I did our own fun photo shoot. I had some drawings I did for my book, and I thought it would be fun to fool around with these in live-action. And a little bit of that turned into the Sally character in The Nightmare Before Christmas."




Untitled (Picasso Woman) 1980-1990
"I used to go to the mall a lot — there's a lot of interesting people to look at, and you could sit there with nobody paying attention to you. I remember having a kind of mind-blowing experience where I was very frustrated drawing, struggling to fit in, and I said, 'Fuck it, I can't. I'm just going to draw the way I'm going to draw.' I had a couple good teachers who told me to just be myself. I didn't worry about physics or reality, and it freed me up to capture the way I saw a person."

The Green Man 1996-1998
Burton described this as a kind of self-portrait and memento mori. It’s about "a feeling of being in a pub in England, thinking about my grandmother who had died, and feeling the connections she had with me." The sharp edges of the triangular blue mask invoke her death in a traumatic accident. The stitching all over the man’s face is "a symbol for the internal, an indicator of a person's different sides and struggle to keep it together." The coat is classic Burton gothicism: "the exact opposite of Southern California," where he incongruously grew up. A stripes are another common trend in Burton's art. "I was depressed and disconnected. I couldn't feel my hands. I bought some striped socks and suddenly felt very connected to the Earth again. I have strange things happen to me."

The artwork displayed is on a variety of surfaces and mediums, ranging from canvas to notebooks to cocktail napkins. "Sometimes these things look like they're just weird," Burton says, "but I don't keep a journal or a diary. They help me to remember a certain feeling—they become time capsules."


Most of the artifacts from the vast exhibition are from Burton's home in Belsize Park in north-west London.

"It's hard for me to fathom, truthfully," he said, "because it's so outside my experience or culture. When they asked me about it I couldn't quite believe it. You feel quite vulnerable when you show a movie and this is even stranger. In a movie things go by quickly, like a moving target. This is like – oh gee. I'm a bit disturbed, really."

Burton also told New York Magazine, "It's like opening up an old closet or something — like 'Oh! What's all this crap?'"

See some of Burton's 'old crap' in 33 slides.

(All images are courtesy of the Museum of Modern Art and Tim Burton.)

Friday, October 23, 2009

MoMA Art Gala with Depp and Bonham Carter

IndieWire reports that New York’s Museum of Modern Art will host a gala dinner November 17th in honor of film director Tim Burton, with Johnny Depp and Helena Bonham Carter serving as "co-chairs" of the event along with Disney's Robert Iger, Willow Bay and David & Julia Koch. The evening will highlight Burton's 27-year-long directorial career, including his next feature, Alice in Wonderland. The benefit will support the museum's ability to continue to acquire work for MoMA’s cinema collection.

Wednesday, October 21, 2009

Burton's Message to Australians



Tim Burton provided a very brief personal message to Australian fans. It looks like he might be coming down to Melbourne for his retrospective art exhibition at the Australian Centre for the Moving Image in June 2010. Video from The Age.

This is the same comprehensive exhibition that will show at MoMA in New York City in November this year.

ACMI director Tony Sweeney said the venue was among only three in the world to host the exhibition.

"Burton's amazing catalogue of work, and his inspirational artistry has garnered him an international audience of fans and he has influenced a generation of young artists across the moving image art spectrum," said Sweeney.

Monday, August 03, 2009

Is Burton Another Warhol?


Tim Burton at MoMA. Photo by Eugene Hernandez/indieWIRE.


Tim Burton recently visited New York City and the Museum of Modern Art in preparation of the massive exhibition "Tim Burton," displaying his art from November 2009 until April 2010, indieWIRE reports.

Discussing the upcoming show, MoMA director Glenn D. Lowry and curator Ron Magliozzi hailed Burton as another Andy Warhol because of his artwork spanning across multiple disciplines. The difference, they said, is that Burton's art is much less well-known than his films.

"So much of Warhol's [work] is well known," Magliozzi said, "So little of Tim's has been seen." Continuing on that note, a journalist asked Tim Burton what his mother would think of that comparison. Burton paused and then quipped, "She'd go, 'Who's Warhol'?"

Burton has said that he did not grow up in a "real museum culture," and "got more out of 'Beverly Hillbillies' than Eric Rohmer." Much of his early work was inspired by television he watched as a kid. But Burton was excited about this exhibition, albeit a little surprised.

Chief curator Raj Roy also commented on the Andy Warhol and Tim Burton comparison. "Knowing Tim’s work now, as I’ve had an opportunity to experience the full scope and range of his productivity, I certainly think that the comparison is valid.

"I think that just as Warhol never really had mainstream crossover success in the film world, Tim may never fully crossover in the art world; but that almost has more to do with their success and stature in their 'first fields' than with whether or not they merit acclaim in both worlds. People like to put artists in categories, especially when commerce is involved. If the MoMA show can help expose Tim Burton as a great artist in a variety of media, I’d be thrilled."

All of Burton's feature films and many of his student and non-professional shorts will be shown at the exhibition.

The staff at MoMA teased Burton and attendees with a sample from one of his rarest films, Hansel and Gretel. The short has rarely been seen since its television debut on the Disney Channel in 1983. The clip featured a Japanese Hansel and Gretel and a nasty witch with a candy cane hook nose.

"If you think I’m tasty and you want my body, come on Hansel take a bite," lures a decapitated gingerbread man, alluding to Rod Stewart's 1970's song, "Do Ya Think I'm Sexy." "Finish me!" screams the cookie.

"It's hard to believe that ever played on the Disney Channel," laughed Burton at the end of the clip. The excerpt was from a video, as no film prints exist. "The reason they don't have a copy is because I tried to burn them all myself," he added later. "Those things were never meant to be seen."

"Works from the cinema are essential works of art that need to be collected and preserved," MoMA’s Glenn Lowry said in an introduction to the hour-long presentation. Even after decades of presenting cinematic and filmmakers' artwork, this is MoMA's "most comprehensive monographic show," said Lowry.

Burton hasn't seen much of the artwork since he created it, and felt re-energized by the exhibition. "It's more about the process and ideas, than film and art," Burton said of the MoMA exhibition.